Hiatus

I'm afraid I'm going to go on a short hiatus from this blog for a time. Life has brought a number of large changes all at the same time and I want to focus my severely limited writing time on my work in progress. I will return in a month or two, if everything turns out well. See you then.

Writing through the wall

I hit a wall with my writing pretty regularly lately. Of course, there's a lot in my life that is demanding my time and attention-- so much that I barely have any time to think about my story beyond those few precious moments I get to actually spend cobbling it together. Often when I sit down to write, it takes some time before I actually feel ready to write-- needed time to clear away the rest of my life and day and just focus on my story. But often it's not quite so simple.

Here's the three tricks I use when I feel a wall in my current project:

• Examine my last few paragraphs, I likely took a wrong turn and need to back up and course correct before moving on.
• Jump to a different, smaller project for a few minutes (timed, to force myself to return). For me, this includes writing a blog post, or working on a short story. The purpose is to get sentences flowing in a different (or more natural) setting and then switch back to my main work.
• Spend a few minutes in free writing, and just letting words flow. I have a book of story prompts as well as story dice that I'll use to jump-start this activity. The point is similar to that above-- to get the slow trickle of words up to a decent flow, and then take that into my work in progress.

I typically look at doing these in the order I posted, though different times call for different activities. You have any tricks you use?

On Rewriting

When I was younger, I attended a writing conference for students. There's not much I remember about what I learned there, but I do recall one thing quite vividly: one speaker explaining the difference between an amateur writer and a professional writer. As this person (whose name I do not recall after over a dozen years) put it, on a first draft, most amateurs and professionals write about the same level, give or take-- the difference comes in future drafts, or the lack thereof.

At the time, I was very much a one-draft essayist for school, which served me well at the time. And that tendency has followed me through college and into my current employment. It continues to haunt my writing to this day. But I'm so glad for the words of the now-unknown speaker, as they have stuck with me as powerful as any during my formative years. Not that I always heed them.

I learned my first powerful lesson in rewriting when I got my first paid freelance writing assignment. I turned in a draft, and my editor (bless him for his patience with me) returned them stained with his notes. I recall talking to my wife about how difficult writing had suddenly become, and how little I was being paid for it. But I barreled through and received the joy of my first professionally printed piece. And I've revered the rewrite ever since.

Yet, when it comes to this blog, I've let that wisdom slip away from me. It may be painfully obvious to any who come here that I don't spend any time rewriting. Perhaps you simply thought these the words of an amateur with precious little experience (and you would not be wrong in that), but there is more to me behind these words. And perhaps some rewriting would help uncover those deeper parts for you.

But there's a flip-side: the time commitment. And that's the main reason I don't fret about the rough state of my blog-- every precious minute I spend revising here is a minute less working in my novel. In fact, I've often considered going on a blogging hiatus and focusing fully on my novel. But there's a reason I've not done that-- which I'll discuss next week. But in the mean time, do you revise your blog posts? Should I? What do you think?

A Spiraling Trap Part 3

There are a lot of things I've done to try to escape the trap I've found myself in. I've tried starting over with a commitment for that to be the last time I start over. I've tried moving on to a new novel. I've tried plotting. I've tried extremely loose and carefree writing. I've tried starting in the middle. I've tried jumping from scene to scene. I've tried just about everything I can think of. There are only two things that I've been able to figure out that I've not done yet-- jumping back in right where I left off, and forcing myself to hit a word goal every day. And I think those two things are the secret to getting out of the spiral.

You see, when the spiral started, I was writing a thousand or so words everyday. I had a lot more time then, and I'm hoping to have some time like that again soon. But that "butt in chair, words on page" mentality pushed me through a great many blocks. Sure, it didn't always make for the most cohesive manuscript, but that's what rewrites are for-- to clean all that stuff up.

Of course, back then I was also reading ever day as well. I was working through Brandon Sandersons's Mistborn at the time, and writing daily posts about each chapter, which increased my daily wordcount in a way that I wasn't even considering.

What I need now is a solid plan, which specific times of day and quantities of words that I'm going to reach. I haven't set that series of goals yet, but I think it's time to do it.

So, I've got the rough outline of my story now-- I've written it out as a better guide, fitting in some of the good ideas I've had, but focusing on the core story that got me excited in the first place. I've already writting the first 20,000 words or so, and I'm letting them stand (even though they're completely wrong at this point). I am picking up my story where I first left off. At exactly the same scene. There's no need to back up at all because I've already written that in skeleton form in my outline.

As for my wordcount goal-- that is tough because I have a  fairly limited schedule. But nothing worthwhile was ever achieved without some sacrifice and work. So, my beginning goal is 500 words a day. It's not much, but it's attainable. At my pace of free-typing, it should take me about an hour a day. Given that I usually build some leeway into my goals, I'm setting my weekly word count goal at 2500. That gives me two days off each week, or a few lighter writing days. Those are for when the rest of life takes precidence, which is important to let happen, I believe.

Today is already awash, with how late in the day I'm writing this, but checking the word count here, I'm nearly to 500 already, so at least with that, I can successfully call my goal as started, and cross off my first day. Of course, it'll shrink if I go through and pare this post down, and that actually leads me to next weeks topic: blogging-- revise or no?

A Spiraling Trap Part 2

Last week I wrote about the spiraling trap I am in with my work in progress. I can't seem to get it enough off the ground to keep it going, and every overhaul results in starting my draft over again. Today I want to pick up on that topic, but focus on why this all started. Then next week, I'll hone in on what I'm doing to try to escape the cycle.

It all started with a writing group. Now, I must first begin by saying that I love writing groups, and I really enjoyed my time with this particular group. But I have to say that this was the beginning of my vicious trap. I didn't personally know anyone in my group. We were an internet-based group, posting 1000 words each week on a private blog for the others to read and comment. It wasn't an ideal situation, which didn't help the process, but we were all quite eager to begin.

At the time I was five or six thousand words into the first draft of my novel, and I was trucking along at a really good pace of at least a thousand words each day. I was pleased with what I'd accomplished, though I knew it was far from viewer-ready. I started posting my thousand words.

And then I made the mistake of reading the comments that came in.

There were a lot of really good points, and some solid suggestions, all of which began to ruminate in my mind. I was about 12,000 words in when I decided to start over and incorporate what I'd settled on as an improved beginning.

It was a lot better, so I shared my new drafts. I was another 20,000 words in when the group began to fall apart. Apparently, I wasn't the only one who found the dynamics and feedback more of a challenge than I expected. We all began to comment less and less, posting less and less regularly. The group tried to resuscitate itself with an infusion of several new members, though that turned out to simply be one of many signs of death.

As I reflect back on that experience  I realize two important things: my work wasn't ready for critiques, and I wasn't stable enough in my story for the feedback I was getting.

Since that time, I've perused several writer-blogs and read more writing books, and the accepted wisdom I've adopted is that the first draft is for me, and only me. No one gets to read my first draft. Period. It's a learning-draft, a practice-draft. And while I am accepting of the at-times crap that I write, there is no reason for me to share it.

What about you... have you ever shared something too early and had it fall apart?

A Spiraling Trap

So, I find myself deep within the spiraling trap of the story-restarting loop. And it's all because I haven't been able to write every day. Or at least that's what I tell myself to help me feel better.

You see, I tend to keep all the bits of my story in my head as I write. I'm not really one for an outline-- I prefer to let the story unfold before me. I do like to have a bit of a skeleton idea of major plot and theme points, but I let it flesh itself out on all the in between stuff. It makes for some pretty messy drafts, but some pretty exciting writing sessions.

My current story hit a pretty hefty roadblock about 20,000 words in, and while I could have probably put my head down and barreled through it, I was in a pretty vulnerable place in my life and I chose to just let it sit instead. Bad decision. All of the pieces of the story I'd been holding in my head disappeared before I got back to it.

So, I moved onto a different project instead, thinking I just needed a fresh start. But I'm not ready for that project-- not yet. So I went back to my first one. Of course, I'd lost so many of my original ideas that were floating in my head, and I'd considered so many new ones, that I just went ahead and started over from the beginning. I figured there was no harm-- after all, I'd be rewriting it all anyway to work in the nifty new stuff I'd thought of.

Of course, that was like three restarts ago. Yeah, it's a trap. One that keeps repeating itself. 7000 words into a new draft, and it's such a disaster that I feel like I have to start over just to keep my sanity. Each time I say that I'm going to keep at it every day so I don't lose all those precious mental pieces, but it keeps falling apart. Maybe I just need to spend an hour or more everyday just writing down those ideas, in a cohesive and interesting form-- that's what they call writing a story, right? Or at least the starting point for one.

Here's what I keep telling myself, as I heard from a panel at the Life, Universe and Everything conference a few months ago. "Give yourself permission to write crap. You can fix crap; you can't fix a blank page." -Julie Wright

My Writing Space

There are two main places I write: at my desk or on my couch. Whenever I try to write somewhere else, I find it far more difficult. Recently, I spent several hours waiting for some repairs to be done on my car. I knew it was coming, and brought my laptop to get some solid writing time in. As you may have guessed, it didn't work out quite as I hoped. In fact, I found so many distractions that I don't normally encounter in the relative quiet of my home.

There was the incessant TV, endlessly playing news programs. I had no interest, yet even with headphones and some of my traditional writing music, the chatter kept pulling me out of the moment. Then there were the dozens of people who walked in and out of the waiting room, each catching my eye, however briefly, and pulling me out of my writing. And finally there were the wafting scents of fresh popcorn and cookies-- yeah, complimentary even, which made my healthy eating pledge and stomach both growl.

All in all, it made for a less productive atmosphere for my writing. But it got me thinking about the distractions I still have in my home writing space, even if I've learned to work around them. If I'm at my desk, there are stacks of bills and paperwork, piles of general clutter, even old dishes from a snack. These things don't keep me from writing, but they sure do make it more difficult.

The answer-- remove the distractions that I can, and learn to work around the others. At the car shop, for example, I could have turned my chair away from the TV, perhaps even facing a wall if necessary. At home, I can clear off my desk, finding a new place to house my paperwork-- even putting it all away when it's my writing time and then bringing it back up afterward. And I'm sure my wife will be happy if I put old dishes into the dishwasher when I'm finished with them.

Distractions can be a huge bane to my writing. Like the act of writing itself, it takes some planning and discipline to eliminate distractions. I hope the payoff is as large as I think it will be.

What about you? Where can you reduce distractions to your writing?

My New Goal System

I promised I'd be back to talk about my new series of goals. It's not too complex actually. I just created a series of tiers for my goals and some escalating rewards to go along with those tiers. The basic level are things I can control on a daily basis, like actually sitting down and writing or eating within my allotted amount. Hit enough of those daily goals in a week and I get a small reward. Do it for 2 weeks and get a bigger reward. Hit a milestone and get an even larger reward. Arrive at my destination, get a significant reward.

I've been at it a couple of weeks now, and it's working quite well. But that alone isn't what makes it valuable. It's the fact that I've selected goals that balance my life in a way that hasn't happened in a very long time, if ever. I have goals for physical health, mental and emotional health, spiritual health, and writing- my essence-health. There's a goal for each of them and tiers to help me get there.

Last week I considered the things that are keeping me from my novel. These goals are to keep me focused, so I don't lose another novel to the trivial parts of my life. I've probably lost one or two already, certainly several more if you factor in the years I spent not writing. But no more.

It would be great if I didn't need the small incentives to make sure I get to my writing and other healthy habits each day, and I hope one day to get there. But until I do, I'll take motivation wherever I can find it.

Losing your novel

Recently, The Verge posted about some comments George R.R. Martin made at a Game of Thrones screening. As I'm not a particular fan of the TV show and haven't sifted through the rest of my backlog of books enough to start reading his series, there was really only one thing he said that I found interesting. In reference to video games that he played back in the 80s, he said, "I think I probably lost a novel or two there."

I'm not looking to make any sort of commentary on video games-- there's likely enough debate on that topic already. But George R.R. Martin's comment about having lost a novel made me start to consider my current situation, and what I may be doing that is making me lose a novel. Am I spending too much time reading and not enough writing? Too much TV? Too much work? Too much idle surfing? Of course the list could go on, but I've identified my big hurdles. And that's the first step-- knowing what's stopping you. The next step, overcoming and changing, is far heftier.

I've set myself a series of goals to help me re-center and balance my life, prioritizing writing a bit higher than it's been recently. I've never been good with goals, but this time is pretty different. I'll explain why next week.

In the mean time-- what's keeping you from your highest potential with your writing?

Love the story you have to tell

I've wanted to be a published author ever since I was a kid. I remember when I first began reading The Wheel of Time, I was so enthralled-- I wanted to do that myself. I was too young to read such a weighty novel, too young to try to write one. But I didn't care about either of those thoughts; I just started writing. I had a list of possible names, but nothing more. It was a creativity and a freedom that I've never since felt, not in any of my unpublished works. The blank page set my imagination racing, and my fingers laced the keys to keep up; writing my first novel is how I learned to type. I had to fill those pages somehow.

But why is it different now? Why is the blank page more like a set of steel bars than a pair of powerful wings? Why do I spend more time rereading my last paragraph than creating the next one? Why is my backspace key more worn than the space bar?

My answer: I'm not writing for myself right now. I'm writing, looking to have it read, to have it published. I need to get back to the simplistic love of the story I have to tell.

Just tell your story at first. Fix it up for readers and editors and publishers later. The first draft is for you. And you alone.

Put the work first

Current wisdom states that any up and coming writer needs to start building a network-- fans, professional ties, writer friends, etc. Have a presence on the internet, pick your favorite social network and get started. You'll be pretty alone at first, but that's okay. Keep going. It'll come.

Here's the question I ask myself whenever I sit down with my limited writing time. Am I better served by focusing on social media, freelance assignments & pitches, or on my current work? Freelance has been winning out lately. Next is my novel, and last-- blogging and twitter.

My wisdom: make sure you take care of your writing first, networking second. After all, a great author will find a network by being a great author. But the opposite is not necessarily true.

Put the work first. There is no substitute, no shortcut, for getting the words on the page-- and getting them right.

Handling Rejection

Getting any kind of writing work, be it fiction or freelance-journalism, is an uphill battle. Editors already have long lists of outstanding, skilled, and experienced writers. Most of the editors I've met will honestly say that they are always looking for new writers. But the reality I've found is not quite so simple. 

I got my first writing gig with a website and accompanying magazine a little over a year ago. I pitched to an associate editor and never heard back. After about a month, I followed up, pitching a different angle. We finally connected, though it was my first pitch that he preferred. It took another 6 months before I received an assignment and started writing and getting paid. 

Recently, I've been working with a new editor at a website, we worked through my pitch, and I got a draft submitted. Then came the email every writer fears-- "not what I had in mind". It's that moment of rejection that struck me like a fist in the gut. Part of me just wanted to toss the whole thing away-- after all the hours I spent on the draft that was in the wrong direction-- maybe I'm not cut out for this writing thing anyway. And it wasn't like I had tons of alternate angles to pitch in rebuttal.

Except, I did. I just didn't know it. 

So, here's my formula for surviving rejection-- and I know I'm going to have plenty of it. It's simple really: DO NOTHING. For at least an hour, find something else to do. Do not respond, do not think, do not ponder. Go immediately to something else. For me, it was dinner. I talked it out some with my wife, and afterward we had a lovely meal together. Then, I got back to the drawing board and sure enough, more than a dozen alternatives came out. I picked the best and pitched anew.

You see, my thinking is that in the moment, feeling rejected and crushed, I'm not thinking clearly. Anything I write, whether a response to the editor or a rewrite to the article, it will all be emotionally charged. Sure, it may not be completely visible, but it will be there. Much better to take a beat. Besides, no editor is going to expect an immediate fix to anything they send back.

I know my rejection isn't so bad. This editor and I are still going to work together. But these mini-rejections are the perfect place to practice taking time for myself before I respond. That way, I'll already know what to do when bigger rejections come my way.

How about you? How do you come with rejection?

Rewriting

If you're anything like me, there's a particular part of the writing process that you love and another that you would just love to chuck out the window. I think any writer of even minor experience understands the importance of each part of the process. For me, I didn't realize the value of revising until I received my first professional assignment. It was a freelance article that I'd pitched to a magazine. We decided to take a bit of a dry run on their website first and I was surprised my editor offered to pick up my pitch for the magazine afterward-- I do not think I did well at all, and my editor basically rewrote most of the article before it went up. You see, I hadn't spent any time in revision-- I'd never really had to before because all my teachers and professors accepted what I turned in, telling me how good it was. 

I'm grateful to my first editor and the second chance he gave me. We had a bit more time, so when I sent him a draft, he sent it back with extensive notes on what to change. I made those changes, and got more notes back. Over and over. I think it was the 4th or 5th round when I threw out everything I'd written, internalized his notes and started again. And it was wonderful. Sure, I still had to go through a few rounds with that, but I'd learned the value of the rewrite, rather than just the edit. 

My writing life has been much better ever since. With my current assignment, I went through three full rewrites before I submitted it for feedback, each far superior to the one prior. I anticipate a lot of feedback still, but that's how I grow as a writer. 

Of course, time contains me from doing very many rewrites for this blog. So, you get what is basically a first draft. I'd love to get to the point where I have more time to rewrite here, but for now, this will just have to do. Between my full time day job, the 10 semester credits I'm taking for a certification, my freelance writing work, not to mention home and family-- there's not much time left for this blog. At least not yet. 

Predictability

This weekend, I finally got around to watching The Hunger Games. I've only gotten a few chapters into the book before I put it down. I know it's an extremely popular book lately and I have every intention of going back to it, but I just wasn't able to get into it when I first tried. It doesn't help that I've got an enormous and ever-growing backlog of books that keep vying for my attention. Anyway, I thought the movie was okay-- well acted and decently written, but I couldn't help but see through it. And that's what's got me posting today.

You see, I'm an over-thinker, as anyone who followed my liveblogging of Mistborn will know. I've experienced a great deal of stories through books, movies, video games, and I know specific story-beats when I see them. Take when the dog-beast jumps out of the woods--I'm trying to avoid spoilers, just in case--there is so much that telegraphs it before it happens: music (or lack thereof), dialogue, camera angle, body posture, and so on. It was only my wife sitting next to me that kept me from saying "now" just as the hidden beast lunged-- she hates it when I do that.

And here is where I'm torn. When I write, I want my story and its pacing to be unique, unpredictable. I want to write the kind of story I love to read, where events are clear and connected, with subtle clues laid along, but never telegraphed to the reader. But I also understand that story-beats occur the way they do because they are successful. My wife jumped, letting out a little scream, when the beast leaped out of the forest. That pacing worked for her, and for countless others-- just not for me.

When I first started writing, I wanted to go against every story-template I know. I didn't want to write a hero's journey. Happily-ever-after isn't my kind of tale. Yet, if I broke with the tried-and-true entirely, I ran the risk of never finding a sizable audience. Now, I've reconsidered. It's not about making a new mold, it's about choosing to break just the right parts of an existing mold. There are countless authors already doing this to great effect. I loved Ender's Game for the twist and melancholy ending and The Giver for the ambiguity it offers about the fate of the main character. Or in a slightly different vein, The Walking Dead adventure game by Telltale reinvigorates the zombie-story with small changes in gameplay. Chopping into a zombie's head one swing at a time really drives the experience home, giving you a moment to reflect between swings. It's what each of these does differently that sticks with me. How about you? Do you enjoy traditional stories or ones that change it up?

Getting some Traction

So, it's taken me more than a week to come back. In fact, looking at the notes I left myself, it's been quite a while. At the time I was reading a book about organization that talked about getting your most awful-but-important task done first-- right at the beginning of the day. The book used a Mark Twain quote about eating a frog first thing in the morning, that way you know that nothing worse can happen that day. It was some really great stuff and I was planning to really dive in here, but then my daytime job hit full swing with a new position and it's taking a lot more of my time and energy than I anticipated. It'd be nice if I could say I got a substantial raise with all the extra responsibility, but such is not the case. The extra $100 or so a month is nice, but nothing when compared with the sheer weight of my new position.

But this post is about getting some traction with my writing. My wheels have been spinning a long time now, and so I've fallen back into what got me going the last time around. I've sent some pitches around for some freelance writing work for websites and magazines. One's pretty promising, if a bit slow in the processing. It's not my novel, sadly, but it's writing. And it was this kind of writing that made me fall in love with words again and brought me back to the blank page. It was this kind of writing that propelled me 20k words into my novel before my inner editor and the overly complicated logistics of an online writing group drained my reservoir. I loved that group; my writing just wasn't ready for it. That, and we never really got to know each other on a personal level, and that made critiquing and receiving critiques more difficult-- I never quite knew the tone of the person behind the feedback. Plus, our group kept growing randomly and when we hit eight or nine, I think most of us basically gave up. Four or five is the perfect size, I think. But if any of them read this, I did learn a ton and I am grateful for what the group did. And I wish each of you well with your books. I'd love to see us all on the shelf one day. And if not, keep writing.

I wish I could say my traction is firm and I'm making headway. I'm not there yet, but I think about my writing everyday. And I long to get back to it in full force again. I hope to soon. I really do. What about you? How do you keep your traction going?

Spinning Wheels

I've been thinking a lot lately about the methods I use to measure myself. Whether it's in my writing, my day job, or my relationships, I have an unwritten rubric against which I measure myself. Did I meet my word-goal for the day? Did I finish my to-do list? Did I accomplish everything asked of me at work? Did I spend enough time with my wife? Lately, it seems, the answer to most of these is no. I've been feeling like a car on an icy road-- the pedal is down and the motor is revving, but the wheels are just spinning against the slick. Any driver who lives in the snow knows that spinning out never helps the tires regain traction, in fact, it just makes the situation worse by solidifying the layer of ice between the car and the road. The best solution is to slow the tires and let the weight of the car bear down on the tires to give them what friction they can, then to use a rocking motion to get the car out from the icy rut.

So, what's this got to do with anything? Well, for me, it means I've got to slow myself down and get some friction between me and the things that are most important to me. I could spend endless days doing meaningless things-- there's always plenty of them-- or I could bear down on the few that actually matter.

Sounds good, right? But how to do it? That's what I want to focus on for next week. See you then.

What it takes

Wow, I'm coming off the tail end of a couple of really hard weeks. It's likely no one noticed this time around, but I hadn't realized I'd missed last week until I was already half way into the week. Yeah, I'm not thrilled to have missed one so soon after making my plans. Whenever I think of my favorite writing-blogs and how they manage to keep to their schedule, I have to realize that most of them write full-time (not that I'm suggesting that's easier, but it certainly is more focused). It's the aspiring writers who are in a difficult pinch, at least if like me, you're holding down a steady job, trying to write and blog as well, not to mention family. Yeah, it's a lot harder than I thought it would be going in. More than anything, I wish I could write full-time. That's the dream, after all. But I think it takes a set of particular somethings to get there.

It takes discipline and honing of one's life. It takes writing skill. It takes something worth saying. It takes days and days. It takes frustration. It takes a soul wrenching desire, such that it twists and ties up your innards to propel you forward. It takes practice. It takes time. Lots and lots of time. 

When I was younger, I wanted to be in professional sports. It was a young child's dream and didn't last long-- particularly when I learned what it would take to get there. I don't think writing professionally is any different. It takes just as much talent, skill, practice, and sheer determination to make it. 

I'm not so sure I've got all that yet, but I'm working at it. How about you?

Jameson

Scheduling and Priorities

So, I've been reading Stephen R. Covey's 7 Habits of Highly Effective People this week. Actually, I've been listening to it on audiobook. It's read by the author in a nice, presentation-style flow and tone. As some of you may already know, I've been having a really hard time with some of my priority-management-- particularly in my writing. I figured this book may help.

I've just started reading the section on the importance/urgency priority matrix. If that's new for you, let me break it down: There's a box with 4 squares inside. The top two boxes (Quadrants I and II) represent things that are important (the most urgent in the left box and the not-urgent in the right). The bottom two boxes (Q III and IV) are for unimportant things (again, urgent in the left and not-urgent in the right). Most of the time, Covey says, our lives can become dominated by the left side of the matrix, by the things that are urgent, regardless of importance. Then, items that were important/not urgent suddenly become urgent and you never quite catch up. Covey's assertion, at least as far as I've read, is to spend more time in the top boxes by (at least initially) saying 'no' to things in the bottom boxes.

Writing is a Quadrant II task for me. It's important-- vitally important to me-- but it's not urgent. And I've been letting it slide, replaced by unimportant things. So, taking Covey's idea, I've started to consider devoting some time each day for Quadrant II items. I'd like it to be at least an hour, but with school starting up for me, I may have to juggle that--

Wait a second... school just needs to be put in it's place just like everything else. Doing Quadrant II items before they become urgent is important to me, and it'll make school better as well. Plus, anything that brings writing to the forefront is valuable to me.

So, that's my goal-- an hour of Q II tasks each day, of which writing will be one. What about you? How do you make sure to get your writing done?

What you read while you write

What you read while you write...

Everything I've ever read or heard about being a writer has told me two fundamental truths: To be a writer you must write and to be a writer you must read. A lot. I wholeheartedly agree with those statements. There is no substitute.

This week, I've been reading Robert's Rules of Writing by Robert Masello. His approach to 101 writing rules seems to be a bit off the traditionally beaten path. I'd like to focus on one of his rules: #14 "Stop Reading". Now, before you take that thought too far, let me explain what he means by that statement. It's not a call to cease all reading, but a warning of how other writers' words and ideas can fill your mind and hijack your story. It's about avoiding works similar to your own while you work on it, to leave your mind free from any accidental influence.

I've seen it in my own work. Even while reading Mistborn recently, I found myself thinking that a specific plot device or character type could go well in my work in progress. It wasn't so much that Brandon Sanderson was taking over my story as I was handing it to him and saying: Please, make it better for me. It does not work that way, nor should it. My story is mine to craft.

Masello does make a suggestion (it's not like writers could easily cut themselves off, nor should we. Reading is what motivates and inspires many writers). He suggests selecting works far different from that which you are writing. Non-fiction presents a great opportunity for me, or perhaps some thriller fiction or literary. Just stay away from Fantasy while I'm writing one.

So, in that spirit, I've picked up 7 Habits of Highly Effective People as well as a book on Ancient Rome. Not to worry, I'm not planning a chapter by chapter dissection of either. What I am planning, however, is to figure out how I'm supposed to survive without reading my favorite genre while I work on my book. Maybe it'll help me work harder on my book and get it done sooner.

What about you? Do you limit what you read while you write?

Jameson

MIstborn Liveblog 40

Epilogue

I've been thinking a long time about what I'm going to do after I finish with Mistborn. I've already begun reading a book about plot structure. I began it a while ago, and I've been starting to dive in since finishing Mistborn.

Now, I've really enjoyed this analysis of Mistborn. It's been hard to stick to at times, but now that I'm at the end, I'm glad I did. Sure, I missed some of the beauty of the story, but I've gained a lot more understanding for my own projects. I don't think I'll be doing another in-depth analysis right away, but I do plan to do another one at some point. I'm thinking I may go with a  book I've already read-- particularly if I decide to do it chapter by chapter again. If I do a new book, though, I think I'll stick with less frequent entries and not limit how much I can read on any given day.

For now, my plan is to take a week off and then return on Mondays, starting August 20. I think I'll have a short portion on what I've been reading as well as my inexperienced analysis of story writing. This is really all just beginning for me.

On to the Spoilers: